ZHAO XIN
JAZZ
招贴海报
Posters
The improvisation, freedom and rhythm of jazz are expressed through abstract forms and bright colors. The work employs modern visual language, simplifying and exaggerating the structure of the instrument. With intense color contrasts and transparent superimposition effects, it presents the passion and interaction of the musicians during their performance.
Farming · Traces
招贴海报
Posters
农耕器具是农业发展的核心，对人类生存和文明进步至关重要。它们显著提升了生产效率，减少人力需求，使粮食生产更加稳定，为社会发展奠定了坚实的物质基础。我通过设计从石器时代到青铜、铁器再到机械时代的农耕器具，展现农耕工具的重要性以及人类文明的演进历程。
Farming tools are the core of agricultural development and are of vital importance to human survival and the progress of civilization. They have significantly enhanced production efficiency, reduced the demand for labor, made food production more stable, and laid a solid material foundation for social development. By designing agricultural tools from the Stone Age to the Bronze Age, Iron Age and then to the mechanical age, I demonstrate the importance of agricultural tools and the evolution process of human civilization.Long
招贴海报
Posters
作品以「龍」字为核心元素，通过重复、叠加与几何化构造，营造充满节奏与张力的视觉场域。龙作为东方文化的重要符号，在此被解构为形与线，并以数字逻辑重组为新秩序。作品既溯源汉字文化意涵，又以算法美学赋予新生，于继承中创新，于再生中延展，象征传统与现代在数字时代的共生演绎。
The work takes the character "dragon" as its core element and creates a visual field full of rhythm and tension through repetition, superposition and geometric construction. As an important symbol of Eastern culture, the dragon is deconstructed into form and line here and reorganized into a new order through numerical logic. The work not only traces the cultural connotations of Chinese characters but also endows them with new life through algorithmic aesthetics. It innovates in inheritance and extends in regeneration, symbolizing the symbiotic interpretation of tradition and modernity in the digital age.
Self-media
招贴海报Posters
当 “随手拍” 成为习惯、“流量” 成为唯一标尺时，人们往往在无意识中跨越了隐私的边界，让拍摄行为从 “记录生活” 异化为 “制造困扰”。作品提醒观者：自媒体时代的表达自由，从来不是 “无底线的自由”，唯有建立 “先尊重、再创作” 的共识，才能让技术与流量真正服务于人的真实需求，而非沦为吞噬隐私的工具。
When "casual shooting" becomes a habit and "traffic" becomes the sole benchmark, people often cross the boundaries of privacy unconsciously, transforming the act of shooting from "recording life" into "creating distress." The work aims to remind viewers that freedom of expression in the era of self-media is never "freedom without bottom lines." Only by building a consensus of "respect first, create second" can technology and traffic truly serve people's real needs, rather than becoming tools that devour privacy.
Cooking the Ocean
招贴海报
Posters
图形设计采用热成像原理。 当海洋温度升高时，海洋生物的生存环境遭到破坏。它们不能适应高水温，生存能力和数量下降。 烹饪海洋不仅仅是一个隐喻，更是对我们的环境和生存的警告。
Graphic design is based on the principle of thermal imaging. When the ocean temperature rises, the living environment of marine organisms is disrupted. They cannot adapt to high water temperatures and their survival abilities and numbers decline. Cooking the ocean is not just a metaphor; it is also a warning to our environment and survival.
Walking Togethe
招贴海报
Posters
灵感源自“三人两足”游戏，以一种象征性的表现手法表达对残疾人的关爱与支持。图中三个相连的人物形象象征着团队合作和相互扶持，传达出在面对困难时的协作精神。即便只有两条腿，三人仍然能够携手并肩，走得更远，应对残疾人给予理解和帮助，而非歧视。
Inspired by the “three-person, two-legged race,” the design uses symbolic imagery to express care and support for people with disabilities. The three connected figures represent teamwork and mutual assistance, conveying the strength of cooperation in the face of difficulty. Even with only two legs, they can move forward together and go farther. The work calls for understanding, inclusion, and support rather than discrimination.
Self-media
招贴海报
Posters
作品以“回”字为核心，将回环线条化作由外向内延伸的归途，象征澳门回归祖国二十五年来与国家同心同行的发展历程。中心莲花呼应澳门意象，寓意同根相连、共生绽放；质朴而富有温度的线条，则使“回归”超越地理意义，成为情感、文化与身份认同的共同归属。
The work centers on the Chinese character “回” (return), transforming its looping lines into a path that moves inward from the outside. It symbolizes Macao’s journey of returning to the motherland and growing alongside the nation over the past twenty-five years. The lotus at the center reflects Macao’s identity and represents shared roots and collective flourishing. The simple, warm lines further expand “return” beyond geography, expressing a deeper sense of emotional, cultural, and national belonging.
Dragon Rise Han Rhythm
招贴海报
Posters
设计灵感来源于汉代文化中的龙纹图案，作品将汉字书法“龍”与徐州博物馆中的“S”形汉代玉龙相融合，字体设计中糅合了“龙腾纹”的磅礴力量与“汉韵”的深厚文化底蕴，作品以现代的设计语言诠释了传统文化的活力与气韵，预想展现出中华文化在时空中的延续与腾飞。
This design draws inspiration from dragon patterns of Han Dynasty culture.It combines the Chinese calligraphy character "Long" with the S-shaped jade dragon exhibited in Xuzhou Museum.The font design blends the powerful spirit of soaring dragon lines and the profound charm of Han culture.Using modern design techniques, this work shows the vitality and grace of traditional culture.It aims to present the lasting and rising spirit of Chinese culture through time.
招贴海报 Posters
作品对“渼陂彩擎”进行赛博解构、再重构。以《西游记》儿童角色扮演结合地方建筑意象，通过几何元素与霓虹光谱交织，构建民俗与未来交错的时空场域。黑白影像承载历史残响，数字色彩映射赛博幻象，二者在碎片化视觉语言中裂变重组。作品超越线性叙事，让传统文化在数码空间中异质共生，探索虚实交融的全新感知方式。
The work deconstructs and reconstructs "Mei Bei CAI Qing" in a cyber context. Combining the children's role-playing of "Journey to the West" with local architectural imagery, through the interweaving of geometric elements and neon spectra, a temporal and spatial field where folk customs and the future interweave is constructed. Black-and-white images carry the echoes of history, while digital colors reflect the illusions of the cyber world. The two split and recombine in the fragmented visual language. The work transcends linear narrative, allowing traditional culture to coexist heterogeneous in the digital space and exploring a brand-new way of perception that integrates the virtual and the real.