Reconstructing Eastern Motifs
Experimental illustration
作品以东方传统纹样为基，融合数码解构与未来想象，构建文化在虚拟语境中的重生图景。画面以高饱和渐变与像素切片交织，纹样脱离对称秩序，演化为流动的形体与信息节点，寓意传统在当代的再生与跃迁。
Rooted in traditional Eastern patterns, the work fuses digital deconstruction with futuristic imagination to envision the rebirth of culture within a virtual context. Through a vivid interplay of high-saturation gradients and pixelated fragments, the once-symmetrical motifs evolve into fluid forms and dynamic information nodes—signifying the regeneration and transformation of tradition in the contemporary era.FuLuShouXiCai
Experimental illustration
由于时代的发展,潮流的更替,很少在家家户户能看到中国的传统神仙，比如:福神、禄神、寿神、喜神、财神、传统的五位神仙。 之前早期人们常常在家中挂着这五位神仙分别寓意着:寿、富、贵、安乐、子孙众多等具有诸多幸福安康的寓意, 而现在很少能看到有人家中挂着中国的传统神仙, 我们应当保留这些传统文化继承和发扬光大, 我们要提升民族自信心,不要盲目崇尚西方文化，挂着一些西方的艺术品。 所以这里，我采用渐变的艺术手法表现,对中国传统神仙进行创作, 使中国的传统文化更加潮流，更加能被现代人所接受, 其实，中国传统文化也很潮流,希望越来越多的年轻人能够继承传统文化，并且发扬光大。
With time passing and trends changing, few families still display traditional Chinese gods at home, such as the Five Gods: God of Fortune, God of Prosperity, God of Longevity, God of Joy and God of Wealth.Long ago, people hung pictures of these five gods at home. They stood for long life, wealth, high status, peace, comfort and a big happy family. All these mean good luck and well-being.Nowadays, hardly anyone keeps these god paintings at home. We need to protect, carry forward our traditional culture and build stronger national pride. We should not blindly love Western culture and only put Western artworks at home.That is why I create artworks of these old Chinese gods with gradient colors. This style makes our traditional culture look fashionable and easy for modern people to like.Chinese traditional culture can also be trendy. I hope more young people will inherit it and let it shine for more people.Traces of Life
Experimental illustration
作品以根系、枝干与土地肌理为视觉线索，将自然生长过程中不断延伸、分岔、渗透与重构的状态转化为层叠交错的图像语言。植物形态穿越几何色块与破碎边界，在人工秩序与自然力量之间形成张力，呈现生命不受预设路径限制的生长方式。画面中的断裂、覆盖与留白并非无序的堆叠，而是生长痕迹在时间中的持续累积——根向幽暗处深入，枝向未知处展开，所有偶然的偏离最终共同构成一种隐秘而坚定的秩序。作品试图表达：自然的生命力并不来自对边界的服从，而是在不断穿越、适应与突破之中，生成自身的形态。
The work draws on roots, branches, and earthen textures to explore the quiet force of natural growth. Organic forms extend across geometric fields and fractured boundaries, creating tension between imposed order and living instinct. Through rupture, layering, and open space, the image reveals growth as a continuous process of adaptation and transformation—rooted in darkness, reaching toward the unknown, and forming its own hidden order beyond prescribed limits.Illusory Order
Experimental illustration
作品以传统龙纹、卷草纹与植物形态为基础，通过解构、重组与材质转译，使古老纹样脱离固有的对称与重复秩序。游动的曲线、金属冷光与荧光色彩彼此交叠，在虚实之间形成不断生长、裂变的视觉空间。传统纹样不再只是被保存的历史符号，而成为可以持续变化的文化语言，在过去与未来的碰撞中生成新的形态与想象。
The work draws on traditional dragon motifs, scrolling patterns, and botanical forms. Through deconstruction, recombination, and material transformation, these ancient motifs are released from fixed symmetry and repetition. Flowing curves, metallic light, and fluorescent colors overlap to create a visual space of continuous growth and transformation. Tradition is no longer preserved as a static symbol of the past, but reimagined as a living cultural language—generating new forms and possibilities between history and the future.